2.28.2010
Life is a Dream
2.25.2010
Rafael Argullol's Spiritual Vitality
Spring Training
It's snowing (again!) in Carlisle this morning, but spring training is underway and that's what matters. It's going to be a great year for the Pirates. And for right fielders generally. As I have written before, as long as we can keep playing baseball... Of course, one could argue that it is ridiculous to think about baseball when there is so much suffering all around us. How can we be dedicated to fun when there is hunger, war, disease, and loneliness? Can we make attempts to address human suffering and have fun? I think we can. Combining fun and solidarity will be on the agenda tomorrow at Carlisle Theatre, where Dickinson College students are organizing a fund-raising event for victims of the devastating earthquake in Haiti. Something along the lines of a variety show: singing, comedy, dancing... A handful of CPYB students will participate and Daniela will perform her Flames of Paris solo. It's easy to be skeptical towards these kinds of events and our modest do-goodism in general: is there real compassion or do we help just to ease a guilty conscience? I've reflected some on this and am trying to be less skeptical because, in fact, I do believe most of us are sincere in our efforts. In any case, it would be wrong for me to worry about others' motives. It's the same as always: less talk, more work. Yes, time to get to work...
2.23.2010
23F
2.20.2010
Paradox
I don’t have faith. I should modify that: I don’t have the faith, not the kind so admirably identified by Clara Beltrán, a young woman from Sevilla who has a big career ahead of her singing cante jondo, the “deep song”. Although I don’t share Clara’s faith, I am moved by it. Seems somewhat paradoxical. And her saeta can move one to tears. Feel that. As she herself says, when she sings to her Christ she tears up. She also says quite emphatically that it's all about feeling, feeling that comes from faith. And then with that single pronoun she identifies something essential about saetas and, I believe, about cante jondo generally: the heart of things, the esential questions, are made real when expresssed in personal, intimate terms. (On the other hand, it’s quite funny how she catches herself when she’s about to utter something about having to sing to Christ figures that don’t mean much to her. But she doesn’t quite say it. She was on the cusp of giving voice to an uncomfortable truth regarding holy week celebrations in Southern Spain: contrary to the logic of Christian dogma, there are intensely held personal preferences regarding the iconography. ¡No te metas con mi Virgen! Count me among the guilty!) Back to the saeta: the suffering is felt intimately. There is nothing superficial about it. The voice, the gestures, and above all, the centrality of the setting, propitiate the comunication of intensely felt emotions. Pain so horrible it threatens our very existence. Love so immense it can redeem all. Is any of this real? She can be seen and listened to on this youtube video. Anyway, I came across this video in the context of my composition course, in which we listened to a few of the songs from Miles Davis’ Sketches of Spain. One of the songs is titled Saeta, and I wanted to give them some context, so that’s where Clara comes in. The point of listening to Miles was to talk about cultural borrowings. We didn’t get far in that conversation, but we’ll come back to it. (Above, "La chiquita piconera" by Julio Romero de Torres.)
2.17.2010
Accessibility and Desire
2.14.2010
Fidel and Franco, two gallegos
2.10.2010
The Big One, Part Two
2.07.2010
The Big One
It fell and fell. Then fell some more. We haven't seen this much snow here in many years. When we woke up Saturday morning there was twenty inches of the white stuff on the ground and it was still coming down. We ended up with 23 inches. Beautiful. And wonderfully silent. So our day involved lots of shoveling! I was already feeling lousy Friday with a cold and sore throat, and now I can add to that general soreness. Ugghh. Oh well, the snow is interesting. I just hope it doesn't wreak any havoc in the form of leaks, flooding, frozen gutters, etc. We cleared the flat roof over the dining room. That was many, many hundreds of pounds, maybe a thousand. When Waldo ventured out the first time he took two steps and disappeared, literally. I feared I might have to jump out there and rescue him before he suffocated, but me managed to extract himself fairly quickly.
2.03.2010
Identities
This has been on my mind recently for a number of reasons. One is that I asked the students in one of my classes to write on the theme of "Identity and Language". I haven't finished reading their compositions, but from those I have read it's easy to see there are many different ways to interpret the connections between how or what we speak and our sense of self. Also, the other day I received a request to fill out a survey about identity and ethnicity. Our obsession with ethnicity is a curious phenomenon. On the one hand, I believe few of us want to be defined by our ethnicity. Who wants to think that their self can be reduced to some kind of predetermined category? On the other hand, it's hard to imagine that our genes, some of which determine how we look, don't have some role in who we are. It's the grand question, and Cervantes had great fun with it at the beginning of his masterpiece when he has Don Quijote respond to Sancho's doubts about their adventure in playing at chivalry with a definitive: "I know who I am!" Hmm, do you think? When I was much younger I think my sense of self had more emphasis on a strong sense of independence. I was quite fond of the Emerson quote "nothing can bring you peace but yourself." I think today I see it a little differently. I'm quite happy to feel more connected to and more dependent on others. (Most everyone around me makes me "look better" than would otherwise be the case!) Funny thing: this morning I found myself wondering about this question and I was thinking "well, normally I think in English", but at that particular moment I was thinking (ok, maybe thinking is a stretch...) en español: normalmente pienso en inglés. Ironic. "Identity theft." Yes, I know what they mean when they talk about that and no doubt it can be a real headache. Yet, it doesn't fail to make me laugh: the thought of being robbed of something we ourselves cannot "fix" with any certainty. Maybe what we mean is theft of identity representation. How well does my name and photo represent me?